Monday, April 22, 2013

Purposeful Action: Cultivating Democracy One Click at a Time


Purposeful Action: Cultivating Democracy One Click at a Time

By Christopher Daish
Published April 2013
Recently, I grabbed coffee with New York City based philanthropist and innovator James Slezak near his SoHo office. I listened intently to his views on the world and his very active part in its welfare. As a high school friend of James in Australia, I knew then that his lofty ambitions had no ceiling. James Slezak has long been an activist; since the fifth grade, sustainability has been a burning concern of his.
James Slezak explains that “we have the technology to solve the renewable energy and carbon emissions problem, but we need to increase our efforts a hundred fold.” He cites the necessity to “accelerate deployment of the available technology.” A Cornell Physics grad, Slezak had his groundbreaking work on superconductivity published in peer-reviewed journals such as Scienceand Nature. From 2007 to 2010, Slezak worked as a consultant for McKinsey & Company developing green stimulus proposals for both the Australian and US governments.
In 2009, Slezak teamed up with long-term friend and high school colleague Jeremy Heimans, Co-founder and CEO of Purpose (224 Center Street, 6th Floor), a New York City based for-profit company with a social mission that deploys the collective power of millions of members worldwide to tackle some of the world’s biggest problems. Purpose provides consulting services to companies such as Google and Audi and charities such as the Bill and Melinda Gates Foundation.
Purpose boasts a staff of 60 young idealists that bring to play an eclectic bunch of skills and talents, unified by the urgent need for “large-scale, purposeful action.” Recently, they expanded to London and Rio de Janeiro, with offices in other South American cities planned. Slezak’s interest in the welfare of the earth has translated into his position as Partner and Head of Sustainability and New Economic Practice. Their strategy is divided into three parts, professional political organizing, marketing and branding, and management consultancy.
On a daily basis, it faces many obstacles and entrenched ways of thinking, large organizations such as the fossil fuel lobbyists, and cultural obstacles such as xenophobia and racism. Slezak cites the importance of taking a collaborative approach with “grass roots organizations in their early stages that can’t afford to cut big checks. Purpose imparts and shares skills necessary to make the sort of impact” these idealistic start-ups desire.
The company was the result of some of the most successful experiments in mass digital participation. Avaaz, co-founded by Heimans, is considered the fastest-growing online movement in history with in excess of 15 million members spread over 190 countries operating in 30 languages. Slezak sheds light on how large groups of online members equate to power. He explains, “Clicking is relevant because it lowers barriers to entry: these people donate, attend charity events, and invite friends, some even step us as leaders and organize groups.” It is through “movement entrepreneurship,” a termed coined by Heimans, that they aggregate and attract individual social protest. Dr. Martin Luther King and Barack Obama are historical examples that utilized this model. Although Purpose did not work directly with either political party in the recent presidential election, the efforts of their sister organization unPAC, combated the influence of the smattering of billionaires and special interest groups that usurp democracy.
Moving forward as technology creates new forms of political participation and social interaction, Purpose continues to influence the political process and enact change through the sheer volume of supporters online and on the ground. The extent of this influence is dictated by meaningful participation. To be a part of this process and have your voice heard visit:http://www.purpose.com

Friday, April 5, 2013

"Don Draper: The Man's Man"


DON DRAPER: THE MAN’S MAN

By Christopher Daish 
“Advertising is based on one thing: Happiness. It’s the smell of a new car. It’s freedom, from fear. It’s a billboard that screams the reassurance that, whatever you’re doing, it’s okay.” – Don Draper
In one of Don Draper’s customarily esoteric asides he addresses what most men feel at some point in their lives. Happiness is a direct byproduct of the upgrades: a sleeker set golf clubs, a sharper set of threads, and the conquests — both in the boardrooms and at the bars. Men are driven by the desire to escape the pervasive sense of fear that haunts them. The highly competitive battlefield that New York City presents drives us to achieve a sense of identity. There is a flight-or-flight nature to this dynamic, we dig our heels in and eek out careers.  Or we dissipate into obscurity through addictions and debauchery. Some of us find balance. It is this very struggle that fuels the character of Don Draper in the hit period drama television series, Mad Men, now in it’s sixth season (premiering April 7th, this Sunday).
don draper
 As founding partner of ad firm Sterling Cooper Draper Pryce, Don Draper’s character is loosely based on advertising maverick of the 1950s Draper Daniels who conceived the Marlboro Man campaign. During the 1950s, Madison Avenue was the epicenter of the advertising world, and the “mad men” were ad men who branded the burgeoning needs of capitalism. A glamorous male-dominated industry that harnessed universal societal issues as a means to sell product, it was often what was not said that resonated loudest. These storyboards whimsically played out in the scotch infused boardrooms, while power suits and handshakes served as currency, tomfoolery and chauvinism the gel that held it this cult of masculinity together.

“The genius, the womanizer, the villain, the hero.”

At some stage, every little boy dreams of the freedom bound up in the power of the corporate world. Knowing with great certainty what the future beholds, if only for a minute, makes everything okay. The imposing gray matter begins to clear. But, we’re not all put on earth to be influential innovators and decision makers, for with responsibility comes pressure.
don draper
The Don Drapers of this world exist in the spaces less traveled, daydreaming while forging upstream through rush hour, paving those empty Downtown 4AM streets, never alone, always lonely. The genius, the womanizer, the villain, the hero. But Don Draper’s greatest allure for men is that no matter what role we play — window cleaner, mortgage broker, skydiving instructor, barrister, there’s a bit of Don Draper in us all. He is, after all, the ultimate man’s man.

    Friday, March 1, 2013

    Good Days by Unruly Heir: Subconscious Connoisseur


    SUBCONSCIOUS CONNOISSEUR BY CHRISTOPHER DAISH, MAN ABOUT TOWN NEW YORK CITY ARTS, CULTURE, AND NITTY-GRITTY: EP. 1

    Chris Daish

    A Trip to Beacon, NY


    It’s  hard to ignore the visionary grandeur of Grand Central station, even for a seasoned New Yorker attempting to swim upstream through the oblivious tight-knit tourists en route for platform 212. In need of sustenance, the decision to grab a quick bagel and cup of Joe, a NYC breakfast of champions, turns into an ordeal. What a cluster fuck; hung over twenty-some-odd in search of Powerade, foreigners clumsily thumbing through billfolds, misdirected pastries finding confused surrogate owners. I exhale; on the brink of meltdown, I find the platform and my porthole to freedom. Immediately I am reminded of the words I uttered a decade ago, “Find a way to escape the city every month.”  As the train grinds away from my New York minute spent in hell, I ponder the lives of the mole people living underground in the sewers and subways, isolated from society, bare bones, down and out, free. Tension begins to exit my body with every breath. Thoughts spent analyzing the intensity of thought promoted by life in the city dissipate with every Podunk town that pops up along my Metro North escape route. About 25 minutes deep and the pressures of the city are as fleeting as the snow geese frolicking amid their surreal decadence.

    Chris Daish

    As the layers of the onion unravel, you soon realize why people move upstate. Shimmering golden hues dance innocently with snow-covered wedding cake terrain, frozen ponds symmetrically refract fairy tale candor, and trees stretch as far as one can see. Every blink of the eye is a postcard. Access to the sky again, dreams no longer curtailed by concrete permanence. In a few moments I recount the past decade spent in Manhattan and with great clarity — I worked as a model, writer, managed restaurants and nightclubs; I painted, I engaged in a variety of hedonism.  Indeed, a colorful landscape that conjures a level of angst. So, I return to the comforts of the kaleidoscopic flickering of pastels and light that stitch together the outside world. Clickety-clack. I slump lower in my chair and sleep.
    Chris Daish
    Located in southwest corner of Dutchess County in the Mid-Hudson region, Beacon, New York is home to approximately 16,000 people. Shrouded in history, Beacon houses the Tioronda mansion, the imposing pre-Civil War estate of General Joseph Howland, Civil War hero and philanthropist. This mansion became a psychiatric hospital in 1915 and was later sold to investor and art collector John L. Stewart in 2003. Beacon is also where you’ll find Dia: Beacon. Occupying a 300,000-square-foot former Nabisco printing factory, the space was donated to the Dia Foundation in 1999 by International Paper. Built in 1929, the early twentieth century industrial design meshes brick, concrete, steel, and glass creating sleek lines and open sweeping spaces. 34,000-square-feet of skylights create a glasshouse type feel and casts natural light onto the artworks creating a feel of buoyant permanence. The collection assembled in the 1970s and early 1980s by Dia’s founders, Philippa de Menil and Heiner Friedrich, features works by artists Donal Judd, Dan Flavin and Andy Warhol to name a few. In anticipation of Dia:Beacon the collection was expanded encompassing influential artists of the same era such as Sol LeWitt, Gerhard Richter, and Richard Serra.

    Chris Daish
    Devoid of an agenda I float daintily between rooms absorbing piece after piece that are each emotive in a different way. On the top floor, I find Louise Bourgeois’ eerily comforting Spider sculpture, and after much wonder, seek solace in the “Torqued Ellipse” minimalist steel sculptors of Richard Serra. Cast in the shadows and enormity of these pieces, I feel safe for the first time. There is no doubt that country air has gone to my head, as I feel at complete ease. The the call of the city beckons. I decide to jump on the 3:39 express back to Grand Central to Manhattan. As I begin drift off, out of the corner of my eye I catch a glimpse of Bannerman Castle, the remnants of a Scotsman’s fortress used as a weapons arsenal. Feeling slightly displaced, edges of reality frayed, I think, maybe this day was a dream all along.

    - Christopher Daish

    NYC Style Vulture Launches



    NYC STYLE VULTURE

    NYC STYLE VULTURE

    @NYCSTYLEVULTURE

    As NYC Style Vultures we hunt for unique garments and accessories with a past that can have a new bright future with you
    New York, NY



    Husband and wife  &  have teamed up to create Style Vulture a NYC based second hand cyber shop.